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1970 ³â´ëºÎÅÍ ÀÛ°¡¿Í ±³¼ö·Î ²ÙÁØÈ÷ È°¹ßÇÑ ÀÛ¾÷À» À̾î¿À°í ÀÖ´Â Ãß»óÈ­°¡(õÎßÚ畫Ê«) ÇÁ¶õ¼¼½º ÇÏÀÎÁîÀÇ °³ÀÎÀüÀÌ ¿À´Â 10¿ù 2ÀϺÎÅÍ 10¿ù 25ÀϱîÁö °¡¶óÁö ¾ÆÆ®¼¾ÅÍ¿¡¼­ ¿­¸°´Ù.

 

Then and Now: The Shape and Line of Home (±×¶§¿Í Áö±Ý: ÁýÀÇ Çü»ó°ú ¼±)À̶õ ÁÖÁ¦·Î ¿­¸®´Â À̹ø Àü½Ã¿¡¼­´Â ÀÛ°¡ÀÇ ´«À¸·Î ¹Ù¶óº» ÁýÀÌ ÀÖ´Â ÄýÁîÀÇ µ¿³×dz°æµéÀÌ Ãß»óÈ­ µÇ¾î Ç¥ÇöµÈ 1970 ³â´ëÀÇ ÀÛ¾÷ 7Á¡°ú ÃÖ±ÙÀÇ ÀÛ¾÷ 4Á¡ µî ÃÑ 11 Á¡ÀÇ È¸È­ÀÛ¾÷µéÀÌ Àü½ÃµÈ´Ù.

 

ÈçÈ÷ º¸´Â °ÇÃ๰µéÀÌÁö¸¸ ÀÛ°¡ÀÇ ÀÛÇ°¿¡¼­ ¼±°ú »ö, Áú°¨µé·Î Ãß»óÈ­ µÇ¾î Ç¥ÇöµÇ¾îÁø ¹®, â¹®, ÁöºØ°ú °°Àº °ÇÃàÀû ¿ä¼ÒµéÀº Àͼ÷ÇÑ Ç³°æÀ» ¾Æ¸§´ä°í ÀÌ»óÀûÀ¸·Î º¸¿©ÁÖ¸ç ¶§·Î´Â °ü¶÷°´µé¿¡°Ô Çâ¼ö¿Í ±Ã±ÝÁõÀ» À¯¹ß½ÃŲ´Ù.

 

°ã°ãÀÌ ½×ÀÎ º×Áú°ú ´Ü¼øÇÑ ¼±°ú »öÀ¸·Î ä¿öÁø ĵ¹ö½º ¼ÓÀÇ Ãß»óÈ­µéÀº °ü°´µéÀÇ ÀÏ»óÀÇ »î°ú µ¿¶³¾îÁöÁö ¾ÊÀº °÷¿¡¼­ µû¶æÇÑ ½Ã¼±À¸·Î ÀÌ°÷°ú Àú°÷, ÇöÀç¿Í °ú°Å, ¾È°ú ¹Û, µé¾î°¡°í ³ª¿À´Â °Í¿¡ °üÇØ Ã¶ÇÐÀû Áú¹®À» ´øÁø´Ù.


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ÇÁ¶õ¼¼½º ÇìÀÎÁî ÀÛ°¡´Â ¼¼ÀÎÆ® Á¸½º ´ëÇп¡¼­ Çл縦, ´º¿å´ëÇп¡¼­ ¼®»ç¸¦ ÃëµæÇÏ°íArt Students League ¿Í ÀÌÅ»¸®¾ÆÀÇ Academy of Fine Arts ¿¡¼­µµ °øºÎÇß´Ù. National Endowment for the ArtsÀÇ ±×·£Æ®¿Í ¿©·¯ ¼ö»ó±â·ÏÀÌ ÀÖ´Â °¡ÀÇ ÀÛÇ°Àº ºê·çŬ¸° ¹ÂÁö¿ò, ´º¿Î ¹ÂÁö¿ò, Çãµå½¼ ¸®¹ö ¹ÂÁö¿ò, ÄýÁî ¹ÂÁö¿òÀ» ºñ·ÔÇÑ ¹Ì Àü¿ª ¹ÂÁö¿ò°ú °ø°ø±â°ü¿¡ ¼ÒÀåµÇ¾î ÀÖ´Ù.

 

ÁÖÃÖÃøÀº ¡°°ú°Å¿Í ÇöÀçÀÇ ÀÛÇ°À» ¸¶ÁÖÇÏ¿© °¨»óÇÒ ¼ö ÀÖ´Â À̹ø Àü½Ã´Â Áö³­ 40³â°£ Áö³ª¿Â º¯Ãµ»ç¸¦ ÀÛÇ°À» ÅëÇØ ÇÑ´«¿¡ °ü¶÷ÇÒ ¼ö ÀÖ´Ù¡±¸ç ¡°¿À·£¼¼¿ù ÄýÁî¿¡¼­ ½Ã°£À» º¸³»¿Ô°í ÇöÀçµµ ÄýÁî¿¡ °ÅÁÖÇÏ°í ÀÖ´Â ÀÛ°¡°¡ ±×¸° µ¿³×dz°æÀ» ÄýÁî¿¡ ¼³¸³µÈ Ä¿¹Â´ÏƼ ¾ÆÆ® ¼¾ÅÍ¿¡¼­ Àü½Ã¸¦ ÇÑ´Ù´Â Á¡ ¶ÇÇÑ ÀǹÌÀÖ´Â °ü¶÷ Æ÷ÀÎÆ®°¡ µÉ °Í¡±À̶ó°í ±â´ëÇß´Ù.

 

10¿ù 25ÀÏ ÀÏ¿äÀÏ ¿ÀÈÄ 3½Ã¿£ ÀÛ°¡¿Í ÇÔ²²ÇÏ´Â ¼öüȭ ¿öÅ©¼óÀÌ ÁøÇàµÈ´Ù. °¡¶óÁö ¾ÆÆ® ¼¾ÅÍÀÇ ¸ðµç ÇÁ·Î±×·¥Àº ¹«·áÀÌ´Ù. ÆÒµ¥¹ÍÀ¸·Î º°µµÀÇ ¿ÀÇÁ´×Àº ¾øÀ¸¸ç ¿öÅ©¼ó°ú Àü½Ã ¸ðµÎ ¿¹¾àÁ¦·Î ¿î¿µµÈ´Ù. ¹æ¹® ¹× ¿¹¾àÀº contact@garageartcenter.org ÀÚ¼¼ÇÑ Á¤º¸´Â www.garageartcenter.org ÂüÁ¶ÇÏ¸é µÈ´Ù.

 

 

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About the Exhibition

 

This exhibition showcases seven early paintings by Frances Hynes along with four current pieces. Her early works allude to buildings that the artist might pass during any day in the Queens County of the 1970s and 1980s. The minimal and abstract images have been edited, pared-down and reduced.

 

These paintings may hint at something utopian and abstract, yet the shapes and lines in her paintings surround us. They are not too distanced from our daily views of windows and doorways, and they suggest concepts of duality and transition: here/there, past/present, entry/exit, and inside/outside.

 

Looking carefully at these works the viewer may see pentimento or regrets, evidence of changes made during the painting process, or traces of forgotten colors beneath the final layer of paint on the canvas. Here we see an artist who is curious about changing the position of shape and line during the painting process and these shifts and repetitions become a metaphor, perhaps suggesting the ongoing and continuous movement of life around us.

 

"Seven paintings in this exhibition date from 1979 88. Three current works (2019-2020) are also included. In these recent paintings, the geometric, architectural imagery of the former work is joined with organic landscape imagery and the feeling becomes more fleeting, light and airy. The horizontal and vertical structure derived from architecture remains a constant in all my paintings."

 

¡°I grew up in Bayside, Queens when this locale was transforming from a rural place to a more suburban one of single-family homes. The Garage Art Center is an innovative and creative venture contributing to the visual arts community of Queens and I am happy to be exhibiting at this new venue in Bayside.¡±

 

 


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